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Now here is a song with wide appeal: obviously Cyndi paid tribut to ' the community' (Jesus, I wish she'd stop this term - there is no gay community, ' darl') when she reeled in a claque of tragic trannies for her Hey Now remake and on The Ballad of Cleo & Joe over-thinks this drag thing a bit, but does start releasing her inner dance diva for the first time. The silky bedtime lullaby Fall Into Your Dreams is the first time Mark Saunders gets to really put his stamp on things something the guy might have something to say about in private as publicly he has kindly but tellingly explained that he found the experience of producing a Lauper LP was more than a little difficult and something he would not do again ('LOL'). A bizarre song, but I love it for the way she sings ' reverberating', a lyric she forgot when I seen her live a few years ago!

The witchy-wail of Sisters of Avalon is a near-chanting shoelessly dancing in front of an outside fire kind of ritualistic thng.

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Martin's.Now I like Sisters of Avalon a lot, it got its singer Cyndi Lauper back to the trash-bin kicking kinetic form of the Money Changes Everything video, tapped into her singer-songwriter aspirations without the uncomforateble autobiographical elements of Hat Full of Stars and cushioned the rest with trip-hop and even one song strays into Eurovision territory. Kort is writing a book on singer-songwriter Laura Nyro for St. But it's nice to know that rock heroines of the '90s are carving new trails into the '00s. Hard to know if this is the start of an ongoing collaboration or a one-shot project-as both Wiggs (who put out a few singles of cover songs with Schellenbach) and Trimble (who was part of a Luscious Jackson offshoot called the Kostars, which Wiggs produced) have been wont to do. But it does sharpen its edge on one cut, 'Order Coffee,' thanks to guest vocalist Emmylou Harris, who invests the lyric 'Order coffee, drink it really slow / 'Cause after that I gotta go' with a world-weariness that the rest of the CD seems to la-di-da its way past. On the songs with lyrics (written by Trimble the music is a joint effort), Trimble takes the lead with her sweet but thin voice while Wiggs sings backup.ДЄs a whole the CD is relentlessly pleasant-dreamy, a little wistful, a bit insecure about love ('Try to hold you in my hand / Slip through fingers shifty like sand,' Trimble sings in 'You Freed Yourself'). Wiggs handles bass, guitars, drums, and bongos Trimble plays keyboards, acoustic guitar, and accordion. Half the songs are instrumentals featuring the many talents of each gal. Perhaps Dusty Trails is a natural 'I'm almost 40!' reaction to the relentlessness of rock and hip-hop: Let's get mellow now. Rather, they have purposefully stepped into a 1960s European film sound track of their own invention, full of slick cocktail jazz-some bossa nova here, some French lyrics there, and just enough modern sonic sensibility to take the music into the 21st century. (Schellenbach also guests on drums for two cuts.) The Trails (the Dustys?) aren't country, though one of the songs on their self-titled debut CD is 'Fool for a Country Tune.' They also aren't Luscious Jackson Meets the Breeders-except maybe on 'Roll the Dice,' on which Luscious Jackson's Jill Cunniff shares vocals. The two now-defunct groups even seemed 'married' for a while, because Wiggs had a romance with Luscious Jackson drummer Kate Schellenbach.Д«ut now Wiggs and Trimble have reconfigured themselves into Dusty Trails, a duo quite different from the bands they came from. Josephine Wiggs and Vivian Trimble have famous, intertwined alt-rock credentials-both belonged to seminal (ovular?) women's bands: Wiggs played bass for the Breeders, and Trimble played keyboards for Luscious Jackson. They used to rock, but now alt-grrrls Josephine Wiggs and Vivian Trimble get smooth and steamy

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MLA style: 'Dusty Trails.' The Free Library.